

The 12 installations in the pick by London studios, best first by editorial rating. Each comes with who made it, from the credits.


The credits for In the Eyes of the Animal include Antoine Bertin credited as Field Recordings and Sound Design, executive production by Eleanor Whitley, and production design by Marc Winklhofer.
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Of the Oak was made by Marshmallow Laser Feast, with music and sound design by James Bulley, and Simon Hendry credited as Sound System Engineer.
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Poetics of Soil: Fly Agaric I was made by Marshmallow Laser Feast, with James Bulley credited as Music, Sound Design and Spatialisation, and executive production by Carolina Vallejo, Eleanor (Nell) Whitley and one other.
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The credits for Museum of the Future include creative direction by Ersin Han Ersin, Robin McNicholas and Barnaby Steel.
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Works of Nature was made by Marshmallow Laser Feast, directed by Ersin Han Ersin, Barnaby Steel and Robin McNicholas.
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FIELD.IO x Nike: A Global Retail Language for Nike was made by Field, with creative direction by Xander Marritt and Justin Crook, and executive production by Xavier Boivin.
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FRAMERATE: Desert Pulse, LiDAR time-lapse installation was made by ScanLAB Projects, with Pascal Wyse credited as Composer & Sound Designer, Tony Myatt credited as Spatial Audio Production, and production by Anetta Jones.
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Treehugger: Wawona was directed by Robin McNicholas, Ersin Han Ersin and Barney Steel.
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Field Trip to Mars was made by Framestore, with creative direction by Dan Donovan, Josh Grossberg and Alexander Rea.
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The credits for Breathing Planet: Wind Data include sound design by Kate Fleur Young, Carolyn Downing credited as Composer & Sound Designer, and Simon Hendry credited as Audio consultant.
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NEST was directed by Ersin Han Ersin, Barnaby Steel and Robin McNicholas.
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A Data Love Letter to the Subway for MTA Arts & Design was made by Pentagram, directed by Samuel Morgan, with cinematography by Fahnon Bennett, and Giorgia Lupi credited as Partner.
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